History of the Literary Cultures of East-Central Europe: Junctures and Disjunctures in the 19th and 20th Centuries, Volume 3The third volume in the History of the Literary Cultures of East-Central Europe focuses on the making and remaking of those institutional structures that engender and regulate the creation, distribution, and reception of literature. The focus here is not so much on shared institutions but rather on such region-wide analogous institutional processes as the national awakening, the modernist opening, and the communist regimentation, the canonization of texts, and censorship of literature. These processes, which took place in all of the region's cultures, were often asynchronous and subjected to different local conditions. The volume's premise is that the national awakening and institutionalization of literature were symbiotically interrelated in East-Central Europe. Each national awakening involves a language renewal, an introduction of the vernacular and its literature in schools and universities, the creation of an infrastructure for the publication of books and journals, clashes with censorship, the founding of national academies, libraries, and theaters, a (re)construction of national folklore, and the writing of histories of the vernacular literature. The four parts of this volume are titled: (1) Publishing and Censorship, (2) Theater as a Literary Institution, (3) Forging Primal Pasts: The Uses of Folk Poetry, and (4) Literary Histories: Itineraries of National Self-images. |
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Table des matières
Table of contents Volume 1 XV | 1 |
Publishing and censorship | 39 |
Pluralism Amy Colin with Peter Rychlo on post1940 Czernowitz | 57 |
Publishing | 63 |
A Testing Ground | 77 |
Censorship | 95 |
Bucharest City of Merging Paradigms | 105 |
The Text of the City vs the Texts of Literature Alexander Kiossev | 124 |
Upstream and Downstream the Danube John Neubaeur | 224 |
The Intercultural Corridor of the Other Danube Roxana M Verona | 232 |
B Regions as Cultural Interfaces | 245 |
The uses of folklore | 269 |
John Neubauer Introduction | 321 |
Representing Transnational Real or Imaginary Regional Spaces | 333 |
Itineraries of national selfimages | 345 |
Shifting genres | 375 |
Theater as a literary institution | 143 |
Trieste as a Center of Polyphonic Culture and Literature | 145 |
Topographies of Literary Culture in Budapest John Neubauer | 162 |
the Director Rules | 171 |
Magnetic Fields or the Staging of the AvantGarde Veronika Ambros | 176 |
Sites of Identity Cultural Production Utopic or Dystopic | 182 |
Violetta Sajkiewicz | 199 |
Regional sites of cultural hybridization | 213 |
3 | 217 |
Pitfalls in Writing a Regional Literary History of EastCentral Europe | 419 |
463 | |
485 | |
Appendix | 491 |
499 | |
505 | |
506 | |
513 | |
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academic aesthetic Albanian appeared artistic authors became become Bulgarian called censorship Central Europe changes classical collection communist comparative concept considered contemporary continued critical Croatian culture Czech drama early East-Central emerged especially established Estonian Europe European existence expression figure folk folklore followed foreign function German historian Hungarian Hungary ideas ideological important included independent individual instance Institute intellectual interest Italy journal language later Latvian linguistic literary history literature living means models movement narrative nationalist nineteenth century original Party past performances period plays poems poet poetry Polish political popular Prague present productions Professor published question region remained represented Romanian romantic Russian scholars schools Serbian Slavic Slovak social songs Soviet spirit stage started story studies Tartu texts theater tion tradition translations turned University values volume writers written wrote
Fréquemment cités
Page 470 - Boehmische, maehrische und schlesische Gelehrte und Schriftsteller aus dem Orden der Jesuiten von Anfang der Gesellschaft bis auf gegenwärtige Zeit, Prag Albert Prazäk, Närod se bränil.