History of the Literary Cultures of East-Central Europe: Junctures and Disjunctures in the 19th and 20th Centuries, Volume 3Marcel Cornis-Pope, John Neubauer John Benjamins Publishing, 2004 - 522 pages The third volume in the History of the Literary Cultures of East-Central Europe focuses on the making and remaking of those institutional structures that engender and regulate the creation, distribution, and reception of literature. The focus here is not so much on shared institutions but rather on such region-wide analogous institutional processes as the national awakening, the modernist opening, and the communist regimentation, the canonization of texts, and censorship of literature. These processes, which took place in all of the region's cultures, were often asynchronous and subjected to different local conditions. The volume's premise is that the national awakening and institutionalization of literature were symbiotically interrelated in East-Central Europe. Each national awakening involves a language renewal, an introduction of the vernacular and its literature in schools and universities, the creation of an infrastructure for the publication of books and journals, clashes with censorship, the founding of national academies, libraries, and theaters, a (re)construction of national folklore, and the writing of histories of the vernacular literature. The four parts of this volume are titled: (1) Publishing and Censorship, (2) Theater as a Literary Institution, (3) Forging Primal Pasts: The Uses of Folk Poetry, and (4) Literary Histories: Itineraries of National Self-images. |
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Table des matières
Note on Documentation and Translation | 1 |
Publishing | 25 |
The Cosmopolitanism of Moderní revue 18941925 Neil Stewart | 63 |
Censorship | 95 |
Theater as a literary institution | 143 |
A Paradoxical Prop of the National Revival Ondřej Hučín | 154 |
School Court and Clandestine Performances Audronė Girdzijauskaitė | 162 |
the Director Rules | 171 |
Ingenious Dramatic Strategies Reach across the Yugoslav Theater Space | 257 |
Levels of Institutionalization in Estonian Folklore Ülo Valk | 285 |
Folklore in the Making of Slovak Literature Dagmar Roberts | 310 |
John Neubauer Introduction | 321 |
an 1864 Debate on the | 323 |
Representing Transnational Real or Imaginary Regional Spaces | 333 |
Itineraries of national selfimages | 345 |
Latvian Literary Histories and Textbooks Agita Misāne | 359 |
the Čapeks Robots Insects Women and Men | 183 |
Transition | 191 |
Polish Modernist Drama Ewa Wąchocka | 196 |
The Stage in Independent Lithuania Audronė Girdzijauskaitė | 210 |
Regional sites of cultural hybridization | 213 |
Theater under Socialism | 217 |
Upstream and Downstream the Danube John Neubaeur | 224 |
Reconciling the Absurd with Socialism Dagmar Roberts | 226 |
The Intercultural Corridor of the Other Danube Roxana M Verona | 232 |
Wyspiańskis Offsprings Eleonora Udalska | 241 |
B Regions as Cultural Interfaces | 245 |
Shifting genres | 375 |
The Narrowing Scope of Hungarian Literary Histories John Neubauer | 384 |
the Widening Rift between Criticism and Literary Histories | 404 |
Works Cited | 429 |
463 | |
Appendix | 491 |
499 | |
505 | |
513 | |
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actors aesthetic Albanian appeared artistic authors avant-garde became become Bulgarian called censorship century changes characters classical collection communist contemporary continued countries created critical Croatian culture Czech director drama early East-Central emerged especially established Estonian Europe European existence expression figure folk folklore followed foreign founded function German historians Hungarian Hungary ideas ideological important included independent individual instance institutions intellectual interest Italy journal language later Latvian linguistic literary history literature Lithuanian living means models movement nationalist nineteenth century opened original Party past performances period plays poems poet poetic poetry Poland Polish political popular Prague present productions published region remained represented role Romanian romantic Russian schools Serbian Slavic Slovak social society songs Soviet spirit stage started studies style Tartu texts theater tion tradition translations turned University values volume Western writers written wrote young
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