International Postmodernism: Theory and literary practiceHans Bertens, Douwe W. Fokkema John Benjamins Publishing, 20 févr. 1997 - 581 pages Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism. |
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... Film James Peterson Postmodern Dance Sally Banes On Postmodernism in Music Hermann Danuser Postmodernism and the Visual Arts Mark Cheetham 15 43 51 65 75 89 103 121 123 129 141 151 157 167 Section 3 Renovations and Innovations in ...
... Film James Peterson Postmodern Dance Sally Banes On Postmodernism in Music Hermann Danuser Postmodernism and the Visual Arts Mark Cheetham 15 43 51 65 75 89 103 121 123 129 141 151 157 167 Section 3 Renovations and Innovations in ...
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... Film.” Critical Inquiry 2: 253—62. Said, Edward. 1978. Orientalism. New York and London: Routledge and Kegan Paul. Sontag, Susan. 1964a. “Against Interpretation.” Sontag 1967: 3—14. —. 1964b. “Godard's Vivre Sa Vie.” Sontag 1967: 196 ...
... Film.” Critical Inquiry 2: 253—62. Said, Edward. 1978. Orientalism. New York and London: Routledge and Kegan Paul. Sontag, Susan. 1964a. “Against Interpretation.” Sontag 1967: 3—14. —. 1964b. “Godard's Vivre Sa Vie.” Sontag 1967: 196 ...
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... film and the media. They accept cultural heterogeneity as a principle that opens up unthought-of opportunities. (0) Production and presentation: In the hands of the postmodernists the notion of the text, its boundaries and integrity ...
... film and the media. They accept cultural heterogeneity as a principle that opens up unthought-of opportunities. (0) Production and presentation: In the hands of the postmodernists the notion of the text, its boundaries and integrity ...
Page 52
... film, performance, painting — postmodernism was identified with a freewheeling use of pastiche, quotation, and collage, meth— ods that some intellectuals saw as innovative and critical, having the potential to undo (or at least put into ...
... film, performance, painting — postmodernism was identified with a freewheeling use of pastiche, quotation, and collage, meth— ods that some intellectuals saw as innovative and critical, having the potential to undo (or at least put into ...
Page 121
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Table des matières
Section 2 Postmodernism in the Other Arts | 119 |
Section 3 Renovations and Innovations in Postmodernist Writing | 175 |
Section 4 The Reception and Processing of Postmodernism | 295 |
Contributors | 517 |
Bibliography of Secondary Sources | 523 |
Subject Index | 553 |
Index of Names | 558 |
Autres éditions - Tout afficher
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Affichage d'extraits - 1997 |
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Aucun aperçu disponible - 1997 |
Expressions et termes fréquents
aesthetic African American architecture artistic authors autobiography avant-garde Barth Baudrillard Bertens Borges Calinescu character cinema concept of postmodernism conflict contemporary context conventions critique D’haen dance debate deconstruction defined definition discourse discussion dominant epistemological essay European example feminist fiction fictional field figure film find first Fokkema Fredric Jameson genre German Habermas Hans Bertens Hassan Hutcheon identification Ihab Ihab Hassan influence intellectual intertextuality Jameson John John Barth language Late Capitalism Linda Hutcheon literature London Lyotard magic realism McHale metafiction metanarratives modernism modernist narration narrative nouveau roman novel ontological parody philosophical plurality poetics political popular postcolonial postmod postmodern culture postmodern dance postmodern literature postmodernist postmodernist texts postmodernist writers poststructuralism poststructuralist prose published question radical reader reality recent reflection representation rewriting Rorty Routledge sense significant social specific story strategies structure teleology term postmodernism textual theatre theory Thomas Pynchon tradition trans translated University Western York