International Postmodernism: Theory and literary practiceHans Bertens, Douwe W. Fokkema John Benjamins Publishing, 20 févr. 1997 - 581 pages Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism. |
À l'intérieur du livre
Résultats 1-5 sur 53
Page viii
... Barth and Ihab Hassan, for instance, belonging to the first, Fredric Jameson, Andreas Huyssen, and Linda Hutcheon to the second. The first generation emphasized the notion of “anything goes” or “nothing makes any difference” and had its ...
... Barth and Ihab Hassan, for instance, belonging to the first, Fredric Jameson, Andreas Huyssen, and Linda Hutcheon to the second. The first generation emphasized the notion of “anything goes” or “nothing makes any difference” and had its ...
Page 21
... . The French existentialists were read by American authors such as Donald Barthelme, John Barth, John Hawkes, and Robert Coover, who later became known as postmodernists (Hoffmann 1986). It is as. The Semiotics of Literary Postmodernism 21.
... . The French existentialists were read by American authors such as Donald Barthelme, John Barth, John Hawkes, and Robert Coover, who later became known as postmodernists (Hoffmann 1986). It is as. The Semiotics of Literary Postmodernism 21.
Page 22
... Barth provided a parallel argument, not referring to existentialism but to the “literature of silence,” as exemplified by Beckett's Watt and M olloy. Beckett' 5 way, Barth suggests, could not be continued. He had to be succeeded by ...
... Barth provided a parallel argument, not referring to existentialism but to the “literature of silence,” as exemplified by Beckett's Watt and M olloy. Beckett' 5 way, Barth suggests, could not be continued. He had to be succeeded by ...
Page 23
... Barth does not join these lame attempts at calumniating modernism but tries to bolster the idea of postmodernism by drawing attention to its respectable ancestry: Anticipations of the “postmodernist literary aesthetic” have duly been ...
... Barth does not join these lame attempts at calumniating modernism but tries to bolster the idea of postmodernism by drawing attention to its respectable ancestry: Anticipations of the “postmodernist literary aesthetic” have duly been ...
Page 25
... Barth and Ihab Hassan, who codified post— modernist conventions — modeled on the work of foreign authors, such as Borges, Beckett, and Nabokov (if the latter can be called foreign after having lived for almost two decades in the United ...
... Barth and Ihab Hassan, who codified post— modernist conventions — modeled on the work of foreign authors, such as Borges, Beckett, and Nabokov (if the latter can be called foreign after having lived for almost two decades in the United ...
Table des matières
Section 2 Postmodernism in the Other Arts | 119 |
Section 3 Renovations and Innovations in Postmodernist Writing | 175 |
Section 4 The Reception and Processing of Postmodernism | 295 |
Contributors | 517 |
Bibliography of Secondary Sources | 523 |
Subject Index | 553 |
Index of Names | 558 |
Autres éditions - Tout afficher
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Affichage d'extraits - 1997 |
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Aucun aperçu disponible - 1997 |
Expressions et termes fréquents
aesthetic African American architecture artistic authors autobiography avant-garde Barth Baudrillard Bertens Borges Calinescu character cinema concept of postmodernism conflict contemporary context conventions critique D’haen dance debate deconstruction defined definition discourse discussion dominant epistemological essay European example feminist fiction fictional field figure film find first Fokkema Fredric Jameson genre German Habermas Hans Bertens Hassan Hutcheon identification Ihab Ihab Hassan influence intellectual intertextuality Jameson John John Barth language Late Capitalism Linda Hutcheon literature London Lyotard magic realism McHale metafiction metanarratives modernism modernist narration narrative nouveau roman novel ontological parody philosophical plurality poetics political popular postcolonial postmod postmodern culture postmodern dance postmodern literature postmodernist postmodernist texts postmodernist writers poststructuralism poststructuralist prose published question radical reader reality recent reflection representation rewriting Rorty Routledge sense significant social specific story strategies structure teleology term postmodernism textual theatre theory Thomas Pynchon tradition trans translated University Western York