International Postmodernism: Theory and literary practiceHans Bertens, Douwe W. Fokkema John Benjamins Publishing, 20 févr. 1997 - 581 pages Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism. |
À l'intérieur du livre
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Page viii
... Hassan, for instance, belonging to the first, Fredric Jameson, Andreas Huyssen, and Linda Hutcheon to the second. The first generation emphasized the notion of “anything goes” or “nothing makes any difference” and had its reasons to do ...
... Hassan, for instance, belonging to the first, Fredric Jameson, Andreas Huyssen, and Linda Hutcheon to the second. The first generation emphasized the notion of “anything goes” or “nothing makes any difference” and had its reasons to do ...
Page 4
... Hassan, became aware of this source of confusion, they understandably sought to further define, or even partly ... Hassan (see, for instance, his Paracriticisms of 1975) and other critics who like Hassan claimed that the counterculture ...
... Hassan, became aware of this source of confusion, they understandably sought to further define, or even partly ... Hassan (see, for instance, his Paracriticisms of 1975) and other critics who like Hassan claimed that the counterculture ...
Page 5
... Hassan and others forged a link between American postmodernism and French poststructuralism, this academic postmodern culture took a very dim view of such liberal humanist mainstays as the integrity and autonomy of the subject, the ...
... Hassan and others forged a link between American postmodernism and French poststructuralism, this academic postmodern culture took a very dim view of such liberal humanist mainstays as the integrity and autonomy of the subject, the ...
Page 8
... Hassan's work of the 19605. What is emphasized here is a postmodern attitude, expressed through a variety of themes, that resists the modernist intellectualization of experience and that rejects modernism' s supposed interest in ...
... Hassan's work of the 19605. What is emphasized here is a postmodern attitude, expressed through a variety of themes, that resists the modernist intellectualization of experience and that rejects modernism' s supposed interest in ...
Page 10
... Hassan seemed at times drawn to this position — the postmodern impulse was character— ized by a desire for authentic existentialist historicity and could lead to a postmodern poetry that, in Robert Kern' 5 words, would “embody the ...
... Hassan seemed at times drawn to this position — the postmodern impulse was character— ized by a desire for authentic existentialist historicity and could lead to a postmodern poetry that, in Robert Kern' 5 words, would “embody the ...
Table des matières
Section 2 Postmodernism in the Other Arts | 119 |
Section 3 Renovations and Innovations in Postmodernist Writing | 175 |
Section 4 The Reception and Processing of Postmodernism | 295 |
Contributors | 517 |
Bibliography of Secondary Sources | 523 |
Subject Index | 553 |
Index of Names | 558 |
Autres éditions - Tout afficher
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Affichage d'extraits - 1997 |
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Aucun aperçu disponible - 1997 |
Expressions et termes fréquents
aesthetic African American architecture artistic authors autobiography avant-garde Barth Baudrillard Bertens Borges Calinescu character cinema concept of postmodernism conflict contemporary context conventions critique D’haen dance debate deconstruction defined definition discourse discussion dominant epistemological essay European example feminist fiction fictional field figure film find first Fokkema Fredric Jameson genre German Habermas Hans Bertens Hassan Hutcheon identification Ihab Ihab Hassan influence intellectual intertextuality Jameson John John Barth language Late Capitalism Linda Hutcheon literature London Lyotard magic realism McHale metafiction metanarratives modernism modernist narration narrative nouveau roman novel ontological parody philosophical plurality poetics political popular postcolonial postmod postmodern culture postmodern dance postmodern literature postmodernist postmodernist texts postmodernist writers poststructuralism poststructuralist prose published question radical reader reality recent reflection representation rewriting Rorty Routledge sense significant social specific story strategies structure teleology term postmodernism textual theatre theory Thomas Pynchon tradition trans translated University Western York