International Postmodernism: Theory and literary practiceHans Bertens, Douwe W. Fokkema John Benjamins Publishing, 20 févr. 1997 - 581 pages Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism. |
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Page vii
... authors are aware of the distinction and many touch upon it in the course of their argument. Second, we are interested as much in the making and diffusion of postmodernism as in the workings of literature. This means that we do not ...
... authors are aware of the distinction and many touch upon it in the course of their argument. Second, we are interested as much in the making and diffusion of postmodernism as in the workings of literature. This means that we do not ...
Page viii
... authors have expressed different positions with equal force of argument. Continuing the parallel with interpretation, we believe that the historians' construction of literary currents cannot be successful without arguments that refer to ...
... authors have expressed different positions with equal force of argument. Continuing the parallel with interpretation, we believe that the historians' construction of literary currents cannot be successful without arguments that refer to ...
Page 9
... author and the question of authorship into the text; and exposing conventions in the act of using them” (Lodge 1977: 240). Other early examples include André Le Vot's “Disjunctive and Conjunctive Modes in Contemporary American Fiction ...
... author and the question of authorship into the text; and exposing conventions in the act of using them” (Lodge 1977: 240). Other early examples include André Le Vot's “Disjunctive and Conjunctive Modes in Contemporary American Fiction ...
Page 17
... authors. The distinctive features we are looking for can be found at the level of the literary sociolects or group codes, formerly and mistakenly called period codes. The latter. The Semiotics of Literary Postmodernism 17.
... authors. The distinctive features we are looking for can be found at the level of the literary sociolects or group codes, formerly and mistakenly called period codes. The latter. The Semiotics of Literary Postmodernism 17.
Page 21
... existentialists were read by American authors such as Donald Barthelme, John Barth, John Hawkes, and Robert Coover, who later became known as postmodernists (Hoffmann 1986). It is as. The Semiotics of Literary Postmodernism 21.
... existentialists were read by American authors such as Donald Barthelme, John Barth, John Hawkes, and Robert Coover, who later became known as postmodernists (Hoffmann 1986). It is as. The Semiotics of Literary Postmodernism 21.
Table des matières
Section 2 Postmodernism in the Other Arts | 119 |
Section 3 Renovations and Innovations in Postmodernist Writing | 175 |
Section 4 The Reception and Processing of Postmodernism | 295 |
Contributors | 517 |
Bibliography of Secondary Sources | 523 |
Subject Index | 553 |
Index of Names | 558 |
Autres éditions - Tout afficher
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Affichage d'extraits - 1997 |
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Aucun aperçu disponible - 1997 |
Expressions et termes fréquents
aesthetic African American architecture artistic authors autobiography avant-garde Barth Baudrillard Bertens Borges Calinescu character cinema concept of postmodernism conflict contemporary context conventions critique D’haen dance debate deconstruction defined definition discourse discussion dominant epistemological essay European example feminist fiction fictional field figure film find first Fokkema Fredric Jameson genre German Habermas Hans Bertens Hassan Hutcheon identification Ihab Ihab Hassan influence intellectual intertextuality Jameson John John Barth language Late Capitalism Linda Hutcheon literature London Lyotard magic realism McHale metafiction metanarratives modernism modernist narration narrative nouveau roman novel ontological parody philosophical plurality poetics political popular postcolonial postmod postmodern culture postmodern dance postmodern literature postmodernist postmodernist texts postmodernist writers poststructuralism poststructuralist prose published question radical reader reality recent reflection representation rewriting Rorty Routledge sense significant social specific story strategies structure teleology term postmodernism textual theatre theory Thomas Pynchon tradition trans translated University Western York