International Postmodernism: Theory and literary practiceHans Bertens, Douwe W. Fokkema John Benjamins Publishing, 20 févr. 1997 - 581 pages Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism. |
À l'intérieur du livre
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Page xiv
... Autobiography Alfred Hornung Science Fiction Brian McHale 3.2. Other Strategies and Devices in Postmodernist Writing 3.2.1. 3.2.2. 3.2.3. 3.2.4. 3.2.5. 3.2.6. Rewriting Matei Calinescu Intertextuality Ulrich Broich Self-Referentiality ...
... Autobiography Alfred Hornung Science Fiction Brian McHale 3.2. Other Strategies and Devices in Postmodernist Writing 3.2.1. 3.2.2. 3.2.3. 3.2.4. 3.2.5. 3.2.6. Rewriting Matei Calinescu Intertextuality Ulrich Broich Self-Referentiality ...
Page 30
... autobiographical writing, (5) fiction focusing on cultural identity. It is a matter of interpretation, or historio graphical expedience, whether the combined efforts to bury the connotation of superficiality inherent in a poetics based ...
... autobiographical writing, (5) fiction focusing on cultural identity. It is a matter of interpretation, or historio graphical expedience, whether the combined efforts to bury the connotation of superficiality inherent in a poetics based ...
Page 32
... Autobiographical writing: As early as 1985, at a symposium in Paris, Alfred Hornung observed an increasing interest in autobiographical writing among authors usually associated with post— modernism (published in Calinescu and Fokkema ...
... Autobiographical writing: As early as 1985, at a symposium in Paris, Alfred Hornung observed an increasing interest in autobiographical writing among authors usually associated with post— modernism (published in Calinescu and Fokkema ...
Page 33
... autobiographical fiction. This turn towards autobiography has been explained as an attempt to rediscover older forms of narration, or to reconstitute a modest notion of self. It is symptomatic of a continued obsession with the problem ...
... autobiographical fiction. This turn towards autobiography has been explained as an attempt to rediscover older forms of narration, or to reconstitute a modest notion of self. It is symptomatic of a continued obsession with the problem ...
Page 49
... autobiographical attention, rather proposes itself as archivist, resisting narrative referentiality: Somewhere, in the background, rooms share a pattern of small roses. Pretty is as pretty does. In certain families the meaning of ...
... autobiographical attention, rather proposes itself as archivist, resisting narrative referentiality: Somewhere, in the background, rooms share a pattern of small roses. Pretty is as pretty does. In certain families the meaning of ...
Table des matières
Section 2 Postmodernism in the Other Arts | 119 |
Section 3 Renovations and Innovations in Postmodernist Writing | 175 |
Section 4 The Reception and Processing of Postmodernism | 295 |
Contributors | 517 |
Bibliography of Secondary Sources | 523 |
Subject Index | 553 |
Index of Names | 558 |
Autres éditions - Tout afficher
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Affichage d'extraits - 1997 |
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Aucun aperçu disponible - 1997 |
Expressions et termes fréquents
aesthetic African American architecture artistic authors autobiography avant-garde Barth Baudrillard Bertens Borges Calinescu character cinema concept of postmodernism conflict contemporary context conventions critique D’haen dance debate deconstruction defined definition discourse discussion dominant epistemological essay European example feminist fiction fictional field figure film find first Fokkema Fredric Jameson genre German Habermas Hans Bertens Hassan Hutcheon identification Ihab Ihab Hassan influence intellectual intertextuality Jameson John John Barth language Late Capitalism Linda Hutcheon literature London Lyotard magic realism McHale metafiction metanarratives modernism modernist narration narrative nouveau roman novel ontological parody philosophical plurality poetics political popular postcolonial postmod postmodern culture postmodern dance postmodern literature postmodernist postmodernist texts postmodernist writers poststructuralism poststructuralist prose published question radical reader reality recent reflection representation rewriting Rorty Routledge sense significant social specific story strategies structure teleology term postmodernism textual theatre theory Thomas Pynchon tradition trans translated University Western York