International Postmodernism: Theory and literary practiceHans Bertens, Douwe W. Fokkema John Benjamins Publishing, 20 févr. 1997 - 581 pages Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism. |
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Page 9
... conventions in the act of using them” (Lodge 1977: 240). Other early examples include André Le Vot's “Disjunctive and Conjunctive Modes in Contemporary American Fiction” (1976), Bruce Morrissette's “Post—Modern Generative Fiction” (1975) ...
... conventions in the act of using them” (Lodge 1977: 240). Other early examples include André Le Vot's “Disjunctive and Conjunctive Modes in Contemporary American Fiction” (1976), Bruce Morrissette's “Post—Modern Generative Fiction” (1975) ...
Page 15
... conventions in postmodernist writing and reading. If I do believe that the opening statement of this essay can be maintained it is because most of the objections just mentioned have been raised from a level of abstraction that is not ...
... conventions in postmodernist writing and reading. If I do believe that the opening statement of this essay can be maintained it is because most of the objections just mentioned have been raised from a level of abstraction that is not ...
Page 16
... conventions will be inclined to decode in certain ways and not in others? Only in the latter case will it be possible to claim that particular clusters of these signs may induce readers with some knowledge of postmodernism to recognize ...
... conventions will be inclined to decode in certain ways and not in others? Only in the latter case will it be possible to claim that particular clusters of these signs may induce readers with some knowledge of postmodernism to recognize ...
Page 17
... conventions in addition to formal features and thus overlooks an essential aspect of semiotic analysis. Like Ceserani, she appears to be enthralled by questions of considerable magnitude such as: “Where is postmodernist practice going ...
... conventions in addition to formal features and thus overlooks an essential aspect of semiotic analysis. Like Ceserani, she appears to be enthralled by questions of considerable magnitude such as: “Where is postmodernist practice going ...
Page 18
... conventions, however, may still be upheld by other readers and writers, whose work thus equally contributes to the cultural communication and confusion of the day. These older systems of conventions are also kept alive by contemporary ...
... conventions, however, may still be upheld by other readers and writers, whose work thus equally contributes to the cultural communication and confusion of the day. These older systems of conventions are also kept alive by contemporary ...
Table des matières
Section 2 Postmodernism in the Other Arts | 119 |
Section 3 Renovations and Innovations in Postmodernist Writing | 175 |
Section 4 The Reception and Processing of Postmodernism | 295 |
Contributors | 517 |
Bibliography of Secondary Sources | 523 |
Subject Index | 553 |
Index of Names | 558 |
Autres éditions - Tout afficher
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Affichage d'extraits - 1997 |
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Aucun aperçu disponible - 1997 |
Expressions et termes fréquents
aesthetic African American architecture artistic authors autobiography avant-garde Barth Baudrillard Bertens Borges Calinescu character cinema concept of postmodernism conflict contemporary context conventions critique D’haen dance debate deconstruction defined definition discourse discussion dominant epistemological essay European example feminist fiction fictional field figure film find first Fokkema Fredric Jameson genre German Habermas Hans Bertens Hassan Hutcheon identification Ihab Ihab Hassan influence intellectual intertextuality Jameson John John Barth language Late Capitalism Linda Hutcheon literature London Lyotard magic realism McHale metafiction metanarratives modernism modernist narration narrative nouveau roman novel ontological parody philosophical plurality poetics political popular postcolonial postmod postmodern culture postmodern dance postmodern literature postmodernist postmodernist texts postmodernist writers poststructuralism poststructuralist prose published question radical reader reality recent reflection representation rewriting Rorty Routledge sense significant social specific story strategies structure teleology term postmodernism textual theatre theory Thomas Pynchon tradition trans translated University Western York