International Postmodernism: Theory and literary practiceHans Bertens, Douwe W. Fokkema John Benjamins Publishing, 20 févr. 1997 - 581 pages Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism. |
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Page 4
... modernist views of art and the artist. Since in its early stages the debate was conducted exclusively by American critics, whose idea of modernism was largely based on the mainstream modernism that had dominated — and at that point ...
... modernist views of art and the artist. Since in its early stages the debate was conducted exclusively by American critics, whose idea of modernism was largely based on the mainstream modernism that had dominated — and at that point ...
Page 10
... modernism, or, alternatively, as a rejection of the transcendent truths that modernism supposedly was after in favor of provisional, socially constituted truths. Although they have important differences, both approaches emphasized a new ...
... modernism, or, alternatively, as a rejection of the transcendent truths that modernism supposedly was after in favor of provisional, socially constituted truths. Although they have important differences, both approaches emphasized a new ...
Page 17
... modernism is, even when successful, of limited interest” (1990: 186). However, she ignores the possibility of ... modernism and postmodernism, at what level would it be possible to find the distinctive features we are looking for? And ...
... modernism is, even when successful, of limited interest” (1990: 186). However, she ignores the possibility of ... modernism and postmodernism, at what level would it be possible to find the distinctive features we are looking for? And ...
Page 18
... modernism does not dominate the whole area of literary production, but only part of it (nor did modernism, or symbolism, or realism etc.); indeed Ibelieve that most canonized and popular literature so far has escaped the imprint of ...
... modernism does not dominate the whole area of literary production, but only part of it (nor did modernism, or symbolism, or realism etc.); indeed Ibelieve that most canonized and popular literature so far has escaped the imprint of ...
Page 19
... modernists had been quite powerless in their attempts to prevent the war. Modernism was by some even held to be an accomplice in the Vietnam War (cf. Spanos in this volume). The cognitive theory of change can partially explain the call ...
... modernists had been quite powerless in their attempts to prevent the war. Modernism was by some even held to be an accomplice in the Vietnam War (cf. Spanos in this volume). The cognitive theory of change can partially explain the call ...
Table des matières
Section 2 Postmodernism in the Other Arts | 119 |
Section 3 Renovations and Innovations in Postmodernist Writing | 175 |
Section 4 The Reception and Processing of Postmodernism | 295 |
Contributors | 517 |
Bibliography of Secondary Sources | 523 |
Subject Index | 553 |
Index of Names | 558 |
Autres éditions - Tout afficher
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Affichage d'extraits - 1997 |
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Aucun aperçu disponible - 1997 |
Expressions et termes fréquents
aesthetic African American architecture artistic authors autobiography avant-garde Barth Baudrillard Bertens Borges Calinescu character cinema concept of postmodernism conflict contemporary context conventions critique D’haen dance debate deconstruction defined definition discourse discussion dominant epistemological essay European example feminist fiction fictional field figure film find first Fokkema Fredric Jameson genre German Habermas Hans Bertens Hassan Hutcheon identification Ihab Ihab Hassan influence intellectual intertextuality Jameson John John Barth language Late Capitalism Linda Hutcheon literature London Lyotard magic realism McHale metafiction metanarratives modernism modernist narration narrative nouveau roman novel ontological parody philosophical plurality poetics political popular postcolonial postmod postmodern culture postmodern dance postmodern literature postmodernist postmodernist texts postmodernist writers poststructuralism poststructuralist prose published question radical reader reality recent reflection representation rewriting Rorty Routledge sense significant social specific story strategies structure teleology term postmodernism textual theatre theory Thomas Pynchon tradition trans translated University Western York