International Postmodernism: Theory and literary practiceHans Bertens, Douwe W. Fokkema John Benjamins Publishing, 20 févr. 1997 - 581 pages Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism. |
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... postmodern still dominates our intellectual agenda, directly through the ... postmodern and postmodernism have been used, and then go on to discuss the terms's ... Culture and the New Sensibility” of 1965 and Leslie Fiedler's “The New ...
... postmodern still dominates our intellectual agenda, directly through the ... postmodern and postmodernism have been used, and then go on to discuss the terms's ... Culture and the New Sensibility” of 1965 and Leslie Fiedler's “The New ...
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... postmodern culture and that in its early stages were virtually indistinguishable began in the course of the 19705 to disentangle themselves from each other. For some, the new postmodern freedom limited itself to a cultural eclecticism ...
... postmodern culture and that in its early stages were virtually indistinguishable began in the course of the 19705 to disentangle themselves from each other. For some, the new postmodern freedom limited itself to a cultural eclecticism ...
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... postmodern critique of Western culture and its representations with the critiques found in the postcolonial debate and/or in cultural studies. However, the difference between the postmodern critique on the one hand and the postcolonial and ...
... postmodern critique of Western culture and its representations with the critiques found in the postcolonial debate and/or in cultural studies. However, the difference between the postmodern critique on the one hand and the postcolonial and ...
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... culture. Although this latter critique is inevitably deeply ambiguous ... postmodern in its strategies and techniques. At the theoretical level ... postmodern critics. If we are talking about critiques of representation that seek to ...
... culture. Although this latter critique is inevitably deeply ambiguous ... postmodern in its strategies and techniques. At the theoretical level ... postmodern critics. If we are talking about critiques of representation that seek to ...
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... Postmodern Poetry: 0 'Hara, Bishop, Ashbury, and Merrill. Cambridge, Cambridge UP. Butler, Christopher. 1980. After the Wake: An Essay on the Contemporary Avant-Garde. Oxford: Oxford UP. Featherstone, Mike. 1991. Consumer Culture and ...
... Postmodern Poetry: 0 'Hara, Bishop, Ashbury, and Merrill. Cambridge, Cambridge UP. Butler, Christopher. 1980. After the Wake: An Essay on the Contemporary Avant-Garde. Oxford: Oxford UP. Featherstone, Mike. 1991. Consumer Culture and ...
Table des matières
Section 2 Postmodernism in the Other Arts | 119 |
Section 3 Renovations and Innovations in Postmodernist Writing | 175 |
Section 4 The Reception and Processing of Postmodernism | 295 |
Contributors | 517 |
Bibliography of Secondary Sources | 523 |
Subject Index | 553 |
Index of Names | 558 |
Autres éditions - Tout afficher
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Affichage d'extraits - 1997 |
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Aucun aperçu disponible - 1997 |
Expressions et termes fréquents
aesthetic African American architecture artistic authors autobiography avant-garde Barth Baudrillard Bertens Borges Calinescu character cinema concept of postmodernism conflict contemporary context conventions critique D’haen dance debate deconstruction defined definition discourse discussion dominant epistemological essay European example feminist fiction fictional field figure film find first Fokkema Fredric Jameson genre German Habermas Hans Bertens Hassan Hutcheon identification Ihab Ihab Hassan influence intellectual intertextuality Jameson John John Barth language Late Capitalism Linda Hutcheon literature London Lyotard magic realism McHale metafiction metanarratives modernism modernist narration narrative nouveau roman novel ontological parody philosophical plurality poetics political popular postcolonial postmod postmodern culture postmodern dance postmodern literature postmodernist postmodernist texts postmodernist writers poststructuralism poststructuralist prose published question radical reader reality recent reflection representation rewriting Rorty Routledge sense significant social specific story strategies structure teleology term postmodernism textual theatre theory Thomas Pynchon tradition trans translated University Western York