International Postmodernism: Theory and literary practiceHans Bertens, Douwe W. Fokkema John Benjamins Publishing, 20 févr. 1997 - 581 pages Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism. |
À l'intérieur du livre
Résultats 1-5 sur 30
Page 12
... significant and even determining, but in so doing. . . problematizes the entire notion of historical knowledge” (89); and it “underlines its existence as discourse and yet still posits a relation of reference (however problematic) to ...
... significant and even determining, but in so doing. . . problematizes the entire notion of historical knowledge” (89); and it “underlines its existence as discourse and yet still posits a relation of reference (however problematic) to ...
Page 26
... significant caesura, not only because of the publication of “The Literature of Replenishment” with which John Barth modified his earlier statement, but also because of other factors: the debate between Habermas and Lyotard which ...
... significant caesura, not only because of the publication of “The Literature of Replenishment” with which John Barth modified his earlier statement, but also because of other factors: the debate between Habermas and Lyotard which ...
Page 27
... nouveau roman (1961): “The world is neither significant nor absurd. It is, quite simply.” (Quoted from the American translation Fora New Novel [1965] by Gerald Graff [1975: 209], by Alan Wilde. The Semiotics of Literary Postmodernism 27.
... nouveau roman (1961): “The world is neither significant nor absurd. It is, quite simply.” (Quoted from the American translation Fora New Novel [1965] by Gerald Graff [1975: 209], by Alan Wilde. The Semiotics of Literary Postmodernism 27.
Page 53
... significant differences may exist. Pro-postmodernists: Hal Foster, Linda Hutcheon, Andreas Huyssen, Rosalind Krauss, J can-Francois Lyotard, Craig Owens, Richard Rorty (sometimes), Gayatri Spivak; pro-modernists: Terry Eagleton, Fredric ...
... significant differences may exist. Pro-postmodernists: Hal Foster, Linda Hutcheon, Andreas Huyssen, Rosalind Krauss, J can-Francois Lyotard, Craig Owens, Richard Rorty (sometimes), Gayatri Spivak; pro-modernists: Terry Eagleton, Fredric ...
Page 61
... significant basis for human solidarity. The “liberal ironist,” who refuses to invoke universals and lives in a constant (private) condition of self—doubt, nevertheless subscribes to the idea that not inflicting pain on others is the ...
... significant basis for human solidarity. The “liberal ironist,” who refuses to invoke universals and lives in a constant (private) condition of self—doubt, nevertheless subscribes to the idea that not inflicting pain on others is the ...
Table des matières
Section 2 Postmodernism in the Other Arts | 119 |
Section 3 Renovations and Innovations in Postmodernist Writing | 175 |
Section 4 The Reception and Processing of Postmodernism | 295 |
Contributors | 517 |
Bibliography of Secondary Sources | 523 |
Subject Index | 553 |
Index of Names | 558 |
Autres éditions - Tout afficher
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Affichage d'extraits - 1997 |
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Aucun aperçu disponible - 1997 |
Expressions et termes fréquents
aesthetic African American architecture artistic authors autobiography avant-garde Barth Baudrillard Bertens Borges Calinescu character cinema concept of postmodernism conflict contemporary context conventions critique D’haen dance debate deconstruction defined definition discourse discussion dominant epistemological essay European example feminist fiction fictional field figure film find first Fokkema Fredric Jameson genre German Habermas Hans Bertens Hassan Hutcheon identification Ihab Ihab Hassan influence intellectual intertextuality Jameson John John Barth language Late Capitalism Linda Hutcheon literature London Lyotard magic realism McHale metafiction metanarratives modernism modernist narration narrative nouveau roman novel ontological parody philosophical plurality poetics political popular postcolonial postmod postmodern culture postmodern dance postmodern literature postmodernist postmodernist texts postmodernist writers poststructuralism poststructuralist prose published question radical reader reality recent reflection representation rewriting Rorty Routledge sense significant social specific story strategies structure teleology term postmodernism textual theatre theory Thomas Pynchon tradition trans translated University Western York