International Postmodernism: Theory and literary practiceHans Bertens, Douwe W. Fokkema John Benjamins Publishing, 20 févr. 1997 - 581 pages Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism. |
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Page 10
... structure or sign-flow which resists meaning, whose fundamental inner logic is the exclusion of themes as such in that sense. . ..New criteria of aesthetic value then unexpectedly emerge from this proposition: whatever a good, let alone ...
... structure or sign-flow which resists meaning, whose fundamental inner logic is the exclusion of themes as such in that sense. . ..New criteria of aesthetic value then unexpectedly emerge from this proposition: whatever a good, let alone ...
Page 17
... structure of society, in its economic organiza— tion, [and] in its modes of production” (Ceserani 1994: 376), provides no excuse for ignoring the semiotics of literary communication, notably if that is what our expertise is about. After ...
... structure of society, in its economic organiza— tion, [and] in its modes of production” (Ceserani 1994: 376), provides no excuse for ignoring the semiotics of literary communication, notably if that is what our expertise is about. After ...
Page 36
... structures. These preferences are not restricted to one literature; to the contrary, they appeared to be translatable and have been translated across linguistic and cultural boundaries. Again our level of observation is that at which we ...
... structures. These preferences are not restricted to one literature; to the contrary, they appeared to be translatable and have been translated across linguistic and cultural boundaries. Again our level of observation is that at which we ...
Page 38
... structures in postmodernist texts (6) sentence structure: Not much can be said here if Joyce's Finnegans Wake (1939) is included in the modernist corpus. If Finnegans Wake, however, should rather be considered a prototype of post ...
... structures in postmodernist texts (6) sentence structure: Not much can be said here if Joyce's Finnegans Wake (1939) is included in the modernist corpus. If Finnegans Wake, however, should rather be considered a prototype of post ...
Page 43
... structure and a phenomenology of process. Postmodern poetry argues for the significance of the poem and the contexts of the work's readers. Implicit in these concerns is the relationship between ethos and aesthetics. The reader's ...
... structure and a phenomenology of process. Postmodern poetry argues for the significance of the poem and the contexts of the work's readers. Implicit in these concerns is the relationship between ethos and aesthetics. The reader's ...
Table des matières
Section 2 Postmodernism in the Other Arts | 119 |
Section 3 Renovations and Innovations in Postmodernist Writing | 175 |
Section 4 The Reception and Processing of Postmodernism | 295 |
Contributors | 517 |
Bibliography of Secondary Sources | 523 |
Subject Index | 553 |
Index of Names | 558 |
Autres éditions - Tout afficher
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Affichage d'extraits - 1997 |
International Postmodernism: Theory and Literary Practice Johannes Willem Bertens,Douwe Wessel Fokkema Aucun aperçu disponible - 1997 |
Expressions et termes fréquents
aesthetic African American architecture artistic authors autobiography avant-garde Barth Baudrillard Bertens Borges Calinescu character cinema concept of postmodernism conflict contemporary context conventions critique D’haen dance debate deconstruction defined definition discourse discussion dominant epistemological essay European example feminist fiction fictional field figure film find first Fokkema Fredric Jameson genre German Habermas Hans Bertens Hassan Hutcheon identification Ihab Ihab Hassan influence intellectual intertextuality Jameson John John Barth language Late Capitalism Linda Hutcheon literature London Lyotard magic realism McHale metafiction metanarratives modernism modernist narration narrative nouveau roman novel ontological parody philosophical plurality poetics political popular postcolonial postmod postmodern culture postmodern dance postmodern literature postmodernist postmodernist texts postmodernist writers poststructuralism poststructuralist prose published question radical reader reality recent reflection representation rewriting Rorty Routledge sense significant social specific story strategies structure teleology term postmodernism textual theatre theory Thomas Pynchon tradition trans translated University Western York