European-language Writing in Sub-Saharan AfricaAlbert S. Gérard John Benjamins Publishing, 1 janv. 1986 - 1288 pages The first major comparative study of African writing in western languages, European-language Writing in Sub-Saharan Africa, edited by Albert S. Gérard, falls into four wide-ranging sections: an overview of early contacts and colonial developments Under Western Eyes ; chapters on Black Consciousness manifest in the debates over Panafricanism and Negritude; a group of essays on mental decolonization expressed in Black Power texts at the time of independence struggles; and finally Comparative Vistas, sketching directions that future comparative study might explore. An introductory essay stresses the millennia of writing in Africa, side by side with a richly eloquent and artistic set of vernacular oral traditions; written and oral traditions have become interwoven in adaptations of imported forms and linguistic innovations that challenge traditional high literary norms. Gérard uses the mathematical concept of fuzzy sets to explain why the focus on Black Africa has led him to set aside for future analysis the literatures produced in North Africa, which fall under the influence of Muslim civilization, as well as the diasporic literatures of the New World. Over sixty scholars from twenty-two countries contribute specialized studies of creative writing by leading authors in the nineteenth and twentieth centuries such as Achebe, Mphahlele, Ngugi, Senghor, Soyinka, and Tutuola. Critical analyses are organized primarily around regions, reflecting different colonial languages imposed through schools and other social institutions. Some authors trace the adaptation of western genres, others identify syncretism with folktales or myths. The volumes are attentive to the heterogeneity of national literatures addressed to polyethnic and multilingual populations, and they note the instrumental politics of language in newly independent states. A closing chapter, Tasks Ahead, identifies areas for future scholars to explore. |
À l'intérieur du livre
Résultats 1-5 sur 89
Page 18
... writers, especially in South Africa, who were better educated and more and more outspoken about the abuses of white power. But the Berlin Conference of 1884—85 and its attendant upsurge of imperialism, colonialism and racialism put the ...
... writers, especially in South Africa, who were better educated and more and more outspoken about the abuses of white power. But the Berlin Conference of 1884—85 and its attendant upsurge of imperialism, colonialism and racialism put the ...
Page 23
... writers who spent some time in Africa and made literary use of their African experiences for purposes of exoticism or for other reasons, should not be regarded as “African literature”. But the distinction between “colonial” and “African ...
... writers who spent some time in Africa and made literary use of their African experiences for purposes of exoticism or for other reasons, should not be regarded as “African literature”. But the distinction between “colonial” and “African ...
Page 24
... writers are mulattos illustrating a wide chromatic spectrum. Indeed, racial definitions based on skin colour seem so irrelevant in a country like Angola that one white writer born in Luanda was a member of Agostinho Neto's government ...
... writers are mulattos illustrating a wide chromatic spectrum. Indeed, racial definitions based on skin colour seem so irrelevant in a country like Angola that one white writer born in Luanda was a member of Agostinho Neto's government ...
Page 26
... writers' outlook and the very content of their works. In a colonial society, where the alien power is overwhelmingly stronger than, and accepted as superior by, the oppressed, the written art is inevitably channelled towards the dead ...
... writers' outlook and the very content of their works. In a colonial society, where the alien power is overwhelmingly stronger than, and accepted as superior by, the oppressed, the written art is inevitably channelled towards the dead ...
Page 27
... writers did play a significant part in the decolonization process, at least in certain areas. For political emancipation was in each case the result of a long, multifarious struggle which it would be idle to attempt summarizing here ...
... writers did play a significant part in the decolonization process, at least in certain areas. For political emancipation was in each case the result of a long, multifarious struggle which it would be idle to attempt summarizing here ...
Autres éditions - Tout afficher
Expressions et termes fréquents
achievement activity African Literature appeared became become beginning British called Cape century character Christian civilization collection colonial concerned contribution creative critical cultural described drama early edition emergence English especially European example experience expression fact fiction first followed France French hand human important independence influence intellectual interest issue journal language late later literary living London major means narrative native nature negritude Nigerian noir novel original Paris perhaps period play poems poet poetry political Portuguese present Press printed problems produced prose protest publication published race racial remained represented seems Senghor sense short shows significant social society South African story theme tion traditional translation turn University values village West Western writers written Yoruba young