The Flesh Made Word: Female Figures and Women's BodiesOxford University Press, Incorporated, 1990 - 179 pages Examining the works of such Victorian writers as the Brontes, Dickens, Eliot, and Hardy, this study discusses codes and taboos about the female body and explores how female sexuality was represented in Victorian literary and non-literary genres, such as painting, etiquette books and pornography. |
Table des matières
Constructing the Frame | 3 |
CHAPTER II | 30 |
CHAPTER III | 59 |
CHAPTER IV | 79 |
CHAPTER V | 124 |
NOTES | 151 |
BIBLIOGRAPHY | 167 |
Autres éditions - Tout afficher
Expressions et termes fréquents
Adam Bede Agnes Grey angel Anorexia Nervosa Aurora Leigh beauty becomes bodily Books bread Bronte canon Caroline Carry's chapter Charlotte Bronte cliché codes conventional Craik culture dead metaphor depiction desire Dinah discussion Dorothea dress eating Elizabeth Gaskell erotic fall female body feminine feminism feminist fiction figure frame George Eliot Gilbert girls governess guage Gubar hair hand heroine description heroine's body heroines Hetty Jane Eyre Jenny Jenny's Lady Audley's language lesbian Lily Lily Dale Lily's literal literary Lucy Lucy's Maggie male Mary Mary Daly meta metatrope Middlemarch mirror Monique Wittig moral myth narrative Nina Auerbach nineteenth-century painting paradox phallic poem prostitute reader rhetorical Rochester Shirley silence sister Susan Gubar symbolic synecdoche Tess textuality tion Trollope Trollope's tropes University Press Victorian heroines Victorian novels Victorian representation vocation W. W. Norton woman women women's bodies women's hunger working-class writing York young lady