DELIBERATE SPEEDSmithsonian, 17 oct. 1990 - 286 pages Was the decade of te 1950s really the void that its critics have insisted? Examining the art, ideas movements, technological innovations, and distinctive lore the fifties, W.T. Lhamon, Jr., answers no and shows how citizens in and out of power all sped deliberately toward a new cultural shape of their own making. |
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achievement aesthetic Allen Ginsberg American artists audience avant-garde Berry Berry's black culture blues ethic Cassady chapter Charlie Parker Chuck Berry Cody's complex congenial contemporary Davis's decade deliberately speeding culture developed early Eliot Ellison Elvis Essays father fiction fifties film folklore Foppl's gestures Ginsberg Gravity's Rainbow Greenberg idea important improvisation instance invisible youth Jack Kerouac Jackson Pollock James jazz kitsch later Little Richard living logic Lolita lore cycle Maybellene meaning mid-fifties Miles Davis minstrel minstrel shows modernist Mondaugen Neal Cassady novel Ornette Coleman painting Paola Philosophical Investigations photograph play poem poetry political poplore popular culture postwar Pynchon radio reality record rhythm rites ritual Road Robert Frank rock roll Sambo Sambo figure shows significant social song Sphere stanza Stencil story strategy style Thomas Pynchon tion Tractatus tradition turn vernacular Visions of Cody Whole Sick Crew Wittgenstein York