International Postmodernism: Theory and Literary PracticeJohannes Willem Bertens, Douwe Wessel Fokkema J. Benjamins, 1997 - 581 pages Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism. |
À l'intérieur du livre
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Page viii
... early and a late postmodernism with a caesura around 1980 . It will be argued that the literary texts usually associated with postmodernism and written before 1980 in general differ from those written after that year : the early ...
... early and a late postmodernism with a caesura around 1980 . It will be argued that the literary texts usually associated with postmodernism and written before 1980 in general differ from those written after that year : the early ...
Page 151
... early 1960s , when Yvonne Rainer and other emerging American choreographers used it to differentiate their work from that of the preceding generation - which was called modern dance . By the mid - 1970s , it had become a critical term ...
... early 1960s , when Yvonne Rainer and other emerging American choreographers used it to differentiate their work from that of the preceding generation - which was called modern dance . By the mid - 1970s , it had become a critical term ...
Page 366
... early to say how much damage these ( often justified ) accusations have done to the reputations and the continuity of the oeuvre of these writers . But it seems that , along with more or less traditional writers , the innovative ( and ...
... early to say how much damage these ( often justified ) accusations have done to the reputations and the continuity of the oeuvre of these writers . But it seems that , along with more or less traditional writers , the innovative ( and ...
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Expressions et termes fréquents
aesthetic African American Amsterdam architecture artistic authors autobiography avant-garde Baudrillard become Bertens Borges Calinescu character characterized Charles Jencks Chinese cinema concept of postmodernism contemporary context conventions critique D'haen debate deconstruction detective discourse discussion dominant epistemological essay European example feminist film Fokkema Fredric Fredric Jameson French genre German Habermas Hans Bertens Hassan Heimat novel Hutcheon idea Ihab Ihab Hassan intellectual interpretation intertextuality Jameson John Barth language Late Capitalism Linda Hutcheon literature logic London Lyotard magic realism McHale metafiction metanarratives modernist narration narrative nouveau roman ontological parody philosophical plurality poetics political popular postcolonial postmod postmodern architecture postmodern culture postmodern dance postmodern literature postmodernist Postmodernist Fiction postmodernist texts postmodernist writers poststructuralism prose published question radical reader reading reality recent reference representation rewriting Rorty Routledge sense social story strategies structure teleology term postmodernism textual theatre theory tradition trans translated University Western York