A History of Literature in the Caribbean: Cross-cultural studies, Volume 3
Albert James Arnold, Julio Rodríguez-Luis, J. Michael Dash
John Benjamins Publishing, 1994 - 399 pages
Cross-Cultural Studies is the culminating effort of a distinguished team of international scholars who have worked since the mid-1980s to create the most complete analysis of Caribbean literature ever undertaken. Conceived as a major contribution to postcolonial studies, cultural studies, cultural anthropology, and regional studies of the Caribbean and the Americas, Cross-Cultural Studies illuminates the interrelations between and among Europe, the Caribbean islands, Africa, and the American continents from the late fifteenth century to the present. Scholars from five continents bring to bear on the most salient issues of Caribbean literature theoretical and critical positions that are currently in the forefront of discussion in literature, the arts, and public policy.
Among the major issues treated at length in Cross-Cultural Studies are: The history and construction of racial inequality in Caribbean colonization; The origins and formation of literatures in various Creoles; The gendered literary representation of the Caribbean region; The political and ideological appropriation of Caribbean history in creating the idea of national culture in North and South America, Europe, and Africa; The role of the Caribbean in contemporary theories of Modernism and the Postmodern; The decentering of such canonical authors as Shakespeare; The vexed but inevitable connectedness of Caribbean literature with both its former colonial metropoles and its geographical neighbors.
Contributions to Cross-Cultural Studies give a concrete cultural and historical analysis of such contemporary critical terms as hybridity, transculturation, and the carnivalesque, which have so often been taken out of context and employed in narrowly ideological contexts.
Two important theories of the simultaneous unity and diversity of Caribbean literature and culture, propounded by Antonio Benítez-Rojo and +douard Glissant, receive extended treatment that places them strategically in the debate over multiculturalism in postcolonial societies and in the context of chaos theory. A contribution by Benítez-Rojo permits the reader to test the theory through his critical practice.
Divided into nine thematic and methodological sections followed by a complete index to the names and dates of authors and significant historical figures discussed, Cross-Cultural Studies will be an indispensable resource for every library and a necessary handbook for scholars, teachers, and advanced students of the Caribbean region.
Avis des internautes - Rédiger un commentaire
Aucun commentaire n'a été trouvé aux emplacements habituels.
Cartography and the Cannibalization of Culture
Notes Toward a Comparative History
Toward a Centripetal Vision
Introduction to a Caribbean Poetics
History is Bunk Recovering the Meaning of Independence in Venezuela
Oral Tradition and New Literary Canon in Caribbean Poetry
Heterology Popular Songs and Caribbean Writing
Gabriel García Márquez
Collaboration and Revisionism in Contemporary Caribbean Narrative
PostModernity and Caribbean Discourse
The Politics of Location in Caribbean Autobiography
The Politics of Religion
Aspects of Black Dilemma
Republican Code Working Conditions and CrossCultural Hybridity in
A Carnivalesque Approach
Carnival and the Grotesque in the Contemporary Caribbean Novel
When Columbus Met Don Juan
Index to Names
Autres éditions - Tout afficher
African America appears attempt become Benítez-Rojo body called Caribbean carnival century Césaire characters colonial Columbus complex concept concerned contemporary continue Creole critical Cuba Cuban cultural desire discourse emerges English essay European example experience expression fact female fiction figure French Glissant hand idea identity important independence Indian island issue Juan language linguistic literary literature living London male meaning narrative nature negritude novel original past play poem poet poetics poetry political popular position possible postcolonial postmodern present produced published Puerto Rico question race reference region relation represent Review role sense sexual slave social society Spanish speak specific story struggle suggests symbolic theory tradition translation turn understanding University University Press volume Walcott West women writing York