History of the Literary Cultures of East-Central Europe: Junctures and disjunctures in the 19th and 20th centuries. Volume III: The making and remaking of literary institutionsMarcel Cornis-Pope, John Neubauer John Benjamins Publishing, 18 juil. 2007 - 522 pages The third volume in the History of the Literary Cultures of East-Central Europe focuses on the making and remaking of those institutional structures that engender and regulate the creation, distribution, and reception of literature. The focus here is not so much on shared institutions but rather on such region-wide analogous institutional processes as the national awakening, the modernist opening, and the communist regimentation, the canonization of texts, and censorship of literature. These processes, which took place in all of the region s cultures, were often asynchronous and subjected to different local conditions. The volume s premise is that the national awakening and institutionalization of literature were symbiotically interrelated in East-Central Europe. Each national awakening involves a language renewal, an introduction of the vernacular and its literature in schools and universities, the creation of an infrastructure for the publication of books and journals, clashes with censorship, the founding of national academies, libraries, and theaters, a (re)construction of national folklore, and the writing of histories of the vernacular literature. The four parts of this volume are titled: (1) Publishing and Censorship, (2) Theater as a Literary Institution, (3) Forging Primal Pasts: The Uses of Folk Poetry, and (4) Literary Histories: Itineraries of National Self-images. |
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Page vi
... Cabaret — Dorota Fox Yiddish Theater — Michael Steinlauf The Stage in Independent Lithuania —Audrone Girdzijauskaite Kicking With Poetry: Female Trailblazers 0n the Latvian Stage — Banuta Rubess The Ebbs and Flows 0f Modernist Energy in ...
... Cabaret — Dorota Fox Yiddish Theater — Michael Steinlauf The Stage in Independent Lithuania —Audrone Girdzijauskaite Kicking With Poetry: Female Trailblazers 0n the Latvian Stage — Banuta Rubess The Ebbs and Flows 0f Modernist Energy in ...
Page xiii
... Cabaret: The Bonnboniere. [p. 23] Members of the Romanian Avant-garde', the Drawings are by M. H. Maxy. From M. H. Maxy. Der integrale Kiinstlerb4rtist lntegralist. Ed. Michael Ilk. Berlin: Gilnter Linke, 2003. p. 37. [p-. 31]. _. Karel ...
... Cabaret: The Bonnboniere. [p. 23] Members of the Romanian Avant-garde', the Drawings are by M. H. Maxy. From M. H. Maxy. Der integrale Kiinstlerb4rtist lntegralist. Ed. Michael Ilk. Berlin: Gilnter Linke, 2003. p. 37. [p-. 31]. _. Karel ...
Page 21
... cabaret and literary cafe, were private rather than national, and nestled both at the center and the periphery of modernist culture. Of course, cafes had existed in Europe since the seventeenth century, and some of them played a ...
... cabaret and literary cafe, were private rather than national, and nestled both at the center and the periphery of modernist culture. Of course, cafes had existed in Europe since the seventeenth century, and some of them played a ...
Page 22
... cabaret, which emerged in Paris in the 18805 and in Berlin with the Uberbrettl in 1901, reached the Central European cities in the first decade of the new century. The first Polish cabaret, the Zielony Balonik (Green Balloon; 1905—12) ...
... cabaret, which emerged in Paris in the 18805 and in Berlin with the Uberbrettl in 1901, reached the Central European cities in the first decade of the new century. The first Polish cabaret, the Zielony Balonik (Green Balloon; 1905—12) ...
Page 23
... cabaret, the Fo'varosi Cabaret Bonnbonie're, opened on March 1, 1907 with Endre Nagy as its key figure. It operated until 1910, but Nagy, the leading genius of the new genre, opened in 1908 his own Nagy Endre Kabaré. At the heart of his ...
... cabaret, the Fo'varosi Cabaret Bonnbonie're, opened on March 1, 1907 with Endre Nagy as its key figure. It operated until 1910, but Nagy, the leading genius of the new genre, opened in 1908 his own Nagy Endre Kabaré. At the heart of his ...
Table des matières
1 | |
39 | |
Part II Theater as a Literary Institution | 143 |
The Uses of Folklore | 269 |
Itineraries of National SelfImages | 345 |
WORKS CITED | 429 |
Appendix | 491 |
Table of contents Volume I | 495 |
Table of Contents Volume II | 499 |
Gazetteer | 503 |
Index of EastCentral European Names | 505 |
The series Comparative History of Literatures in European Languages | 523 |
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