History of the Literary Cultures of East-Central Europe: Junctures and disjunctures in the 19th and 20th centuries. Volume III: The making and remaking of literary institutionsMarcel Cornis-Pope, John Neubauer John Benjamins Publishing, 18 juil. 2007 - 522 pages The third volume in the History of the Literary Cultures of East-Central Europe focuses on the making and remaking of those institutional structures that engender and regulate the creation, distribution, and reception of literature. The focus here is not so much on shared institutions but rather on such region-wide analogous institutional processes as the national awakening, the modernist opening, and the communist regimentation, the canonization of texts, and censorship of literature. These processes, which took place in all of the region s cultures, were often asynchronous and subjected to different local conditions. The volume s premise is that the national awakening and institutionalization of literature were symbiotically interrelated in East-Central Europe. Each national awakening involves a language renewal, an introduction of the vernacular and its literature in schools and universities, the creation of an infrastructure for the publication of books and journals, clashes with censorship, the founding of national academies, libraries, and theaters, a (re)construction of national folklore, and the writing of histories of the vernacular literature. The four parts of this volume are titled: (1) Publishing and Censorship, (2) Theater as a Literary Institution, (3) Forging Primal Pasts: The Uses of Folk Poetry, and (4) Literary Histories: Itineraries of National Self-images. |
À l'intérieur du livre
Résultats 1-5 sur 79
Page 3
... modern nations. Poets and philologists, many of whom became political leaders, forged the identity of their people by constructing both institutions and texts: MODES OF SOCIAL AND MATERIAL CONSTRUCTION Founding journals and newspapers ...
... modern nations. Poets and philologists, many of whom became political leaders, forged the identity of their people by constructing both institutions and texts: MODES OF SOCIAL AND MATERIAL CONSTRUCTION Founding journals and newspapers ...
Page 4
... modern literary historians, had no institutional support, their East-Central European successors could write in the relative comfort of jobs at universities, libraries, or academies. Writers of national tragedies and operas were welcome ...
... modern literary historians, had no institutional support, their East-Central European successors could write in the relative comfort of jobs at universities, libraries, or academies. Writers of national tragedies and operas were welcome ...
Page 25
... modern Western artistic styles and trends that had reached the region earlier fomented little genuine transnational interchange. The East-Central European Avant-garde contributed to the international movement Tristan Tzara, Benjamin ...
... modern Western artistic styles and trends that had reached the region earlier fomented little genuine transnational interchange. The East-Central European Avant-garde contributed to the international movement Tristan Tzara, Benjamin ...
Page 30
... modern artists were to become clowns, dancers, acrobats, and tourists rather than philosophers and teachers. They had to turn to film, flying, the radio, the newest optical and acoustic inventions, sport, dance, circus and the music ...
... modern artists were to become clowns, dancers, acrobats, and tourists rather than philosophers and teachers. They had to turn to film, flying, the radio, the newest optical and acoustic inventions, sport, dance, circus and the music ...
Page 34
... modern mass culture. Communication technology began to develop, new publishing houses emerged, broadcasting stimulated new literature, including the first radio novel (1938), and novels were adapted to films. In 1931, 7% of the adult ...
... modern mass culture. Communication technology began to develop, new publishing houses emerged, broadcasting stimulated new literature, including the first radio novel (1938), and novels were adapted to films. In 1931, 7% of the adult ...
Table des matières
1 | |
39 | |
Part II Theater as a Literary Institution | 143 |
The Uses of Folklore | 269 |
Itineraries of National SelfImages | 345 |
WORKS CITED | 429 |
Appendix | 491 |
Table of contents Volume I | 495 |
Table of Contents Volume II | 499 |
Gazetteer | 503 |
Index of EastCentral European Names | 505 |
The series Comparative History of Literatures in European Languages | 523 |
Autres éditions - Tout afficher
Expressions et termes fréquents
actors aesthetic Albanian Albanian literature artistic authors avant-garde ballad Baltic became Bratislava Bucharest Budapest Bulgarian cabaret canon Capek censor censorship classical collection comedy communist conflict contemporary critical Croatian Croatian literature Czech Czech language Czech literature defined director divadlo drama East-Central Europe East-Central European emerged Estonian fiction figure finally find first folklore Frantisek genres German historians Hungarian literature Hungary ideological included independent influence institutions intellectual interwar Jewish Josef journal Karel language later Latvian literary history Lithuanian modern Moderni revue modernist movement myth narrative national awakening National Theater nationalist nineteenth century Nyugat official Party performances period plays playwrights poems poet poetic poetry Poland Polish Polish literature political popular Prague productions published Realism reflected role Romanian literature romantic Russian Serbian significant Slavic Slovak literature social Socialist Socialist Realism songs Soviet specific stage studies texts tion tradition translations University Vaclav Vienna Warsaw writers wrote Yiddish Zagreb