History of the Literary Cultures of East-Central Europe: Junctures and disjunctures in the 19th and 20th centuries. Volume III: The making and remaking of literary institutionsMarcel Cornis-Pope, John Neubauer John Benjamins Publishing, 18 juil. 2007 - 522 pages The third volume in the History of the Literary Cultures of East-Central Europe focuses on the making and remaking of those institutional structures that engender and regulate the creation, distribution, and reception of literature. The focus here is not so much on shared institutions but rather on such region-wide analogous institutional processes as the national awakening, the modernist opening, and the communist regimentation, the canonization of texts, and censorship of literature. These processes, which took place in all of the region s cultures, were often asynchronous and subjected to different local conditions. The volume s premise is that the national awakening and institutionalization of literature were symbiotically interrelated in East-Central Europe. Each national awakening involves a language renewal, an introduction of the vernacular and its literature in schools and universities, the creation of an infrastructure for the publication of books and journals, clashes with censorship, the founding of national academies, libraries, and theaters, a (re)construction of national folklore, and the writing of histories of the vernacular literature. The four parts of this volume are titled: (1) Publishing and Censorship, (2) Theater as a Literary Institution, (3) Forging Primal Pasts: The Uses of Folk Poetry, and (4) Literary Histories: Itineraries of National Self-images. |
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Page 3
... Poets and philologists, many of whom became political leaders, forged the identity of their people by constructing ... poetry Editing and republishing older texts WrpWN?' Writing new national epics Writing historical fiction Canonizing ...
... Poets and philologists, many of whom became political leaders, forged the identity of their people by constructing ... poetry Editing and republishing older texts WrpWN?' Writing new national epics Writing historical fiction Canonizing ...
Page 14
... poets. At the end of eighteenth century, Ienachita Vacarescu and his sons Alecu and Nicolae fitted the Romanian language to the needs of lyrical poetry by writing compositions that mixed classical themes with folk rhythms and motifs ...
... poets. At the end of eighteenth century, Ienachita Vacarescu and his sons Alecu and Nicolae fitted the Romanian language to the needs of lyrical poetry by writing compositions that mixed classical themes with folk rhythms and motifs ...
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... poetry as unworthy of the high positions he came occupy as the Russian vice-consul in Plovdiv (1857—) and the governor of Svistov after Liberation (1879). By the end of the 1850s, Bulgarian writers started to write original lyric poetry ...
... poetry as unworthy of the high positions he came occupy as the Russian vice-consul in Plovdiv (1857—) and the governor of Svistov after Liberation (1879). By the end of the 1850s, Bulgarian writers started to write original lyric poetry ...
Page 17
... poets from previous ages or generations. Few national poets were canonized during their lifetime. The preference of ... poetry was “deeply rooted in national traditions” and stood “close to the nation” (Osszes mu'vei 1: 505—506). Hence ...
... poets from previous ages or generations. Few national poets were canonized during their lifetime. The preference of ... poetry was “deeply rooted in national traditions” and stood “close to the nation” (Osszes mu'vei 1: 505—506). Hence ...
Page 18
... poetry. A national poetry had to be inspired by simple epic and lyric folk poetry that would be intimately tied to the national tradition inherited from heroic times. Kolcsey noted with regret (as did later J anos Arany) that Hungarian ...
... poetry. A national poetry had to be inspired by simple epic and lyric folk poetry that would be intimately tied to the national tradition inherited from heroic times. Kolcsey noted with regret (as did later J anos Arany) that Hungarian ...
Table des matières
1 | |
39 | |
Part II Theater as a Literary Institution | 143 |
The Uses of Folklore | 269 |
Itineraries of National SelfImages | 345 |
WORKS CITED | 429 |
Appendix | 491 |
Table of contents Volume I | 495 |
Table of Contents Volume II | 499 |
Gazetteer | 503 |
Index of EastCentral European Names | 505 |
The series Comparative History of Literatures in European Languages | 523 |
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