European-language Writing in Sub-Saharan AfricaAlbert S. Gérard John Benjamins Publishing, 1 janv. 1986 - 1288 pages The first major comparative study of African writing in western languages, European-language Writing in Sub-Saharan Africa, edited by Albert S. Gérard, falls into four wide-ranging sections: an overview of early contacts and colonial developments Under Western Eyes ; chapters on Black Consciousness manifest in the debates over Panafricanism and Negritude; a group of essays on mental decolonization expressed in Black Power texts at the time of independence struggles; and finally Comparative Vistas, sketching directions that future comparative study might explore. An introductory essay stresses the millennia of writing in Africa, side by side with a richly eloquent and artistic set of vernacular oral traditions; written and oral traditions have become interwoven in adaptations of imported forms and linguistic innovations that challenge traditional high literary norms. Gérard uses the mathematical concept of fuzzy sets to explain why the focus on Black Africa has led him to set aside for future analysis the literatures produced in North Africa, which fall under the influence of Muslim civilization, as well as the diasporic literatures of the New World. Over sixty scholars from twenty-two countries contribute specialized studies of creative writing by leading authors in the nineteenth and twentieth centuries such as Achebe, Mphahlele, Ngugi, Senghor, Soyinka, and Tutuola. Critical analyses are organized primarily around regions, reflecting different colonial languages imposed through schools and other social institutions. Some authors trace the adaptation of western genres, others identify syncretism with folktales or myths. The volumes are attentive to the heterogeneity of national literatures addressed to polyethnic and multilingual populations, and they note the instrumental politics of language in newly independent states. A closing chapter, Tasks Ahead, identifies areas for future scholars to explore. |
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Page 37
... Creative African Writing (1971) which covers the field to 1970, or Thér'ese Baratte et al., Bibliographic des auteurs africains de languefrangzaise (4th ed., 1979), which is regularly updated. Secondary bibliography relating to English ...
... Creative African Writing (1971) which covers the field to 1970, or Thér'ese Baratte et al., Bibliographic des auteurs africains de languefrangzaise (4th ed., 1979), which is regularly updated. Secondary bibliography relating to English ...
Page 81
... creative outlet these journals provided, the main source of literary effort came from another direction. British missions active in the Sierra Leone Colony since the beginning of the nineteenth century, had come for purposes of ...
... creative outlet these journals provided, the main source of literary effort came from another direction. British missions active in the Sierra Leone Colony since the beginning of the nineteenth century, had come for purposes of ...
Page 98
... creative writing started earlier in English than it did in French. Partly, this must have been due to the prestige and intellectual influence of an English-speaking black community. To this should presumably be added the greater ...
... creative writing started earlier in English than it did in French. Partly, this must have been due to the prestige and intellectual influence of an English-speaking black community. To this should presumably be added the greater ...
Page 110
... creative talents.”7° Although Christianity itself was a fusion of priestly doctrine and European pagan practice, very few local customs were allowed to enter the ideology of churches in Africa while they were in European hands. No ...
... creative talents.”7° Although Christianity itself was a fusion of priestly doctrine and European pagan practice, very few local customs were allowed to enter the ideology of churches in Africa while they were in European hands. No ...
Page 116
... creative 7 76 Michael Crowder, Senegal. A Study of French Assimilation Policy, rev. ed. (London: Methuen, 1967), p. . literature in French: the first novelists and short-story writers were 116 3. CREATIVE WRITING IN FRENCH: EMERGENCE ...
... creative 7 76 Michael Crowder, Senegal. A Study of French Assimilation Policy, rev. ed. (London: Methuen, 1967), p. . literature in French: the first novelists and short-story writers were 116 3. CREATIVE WRITING IN FRENCH: EMERGENCE ...
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achievement activity African Literature appeared became become beginning British called Cape century character Christian civilization collection colonial concerned contribution creative critical cultural described drama early edition emergence English especially European example experience expression fact fiction first followed France French hand human important independence influence intellectual interest issue journal language late later literary living London major means narrative native nature negritude Nigerian noir novel original Paris perhaps period play poems poet poetry political Portuguese present Press printed problems produced prose protest publication published race racial remained represented seems Senghor sense short shows significant social society South African story theme tion traditional translation turn University values village West Western writers written Yoruba young