European-language Writing in Sub-Saharan AfricaAlbert S. Gérard John Benjamins Publishing, 1 janv. 1986 - 1288 pages The first major comparative study of African writing in western languages, European-language Writing in Sub-Saharan Africa, edited by Albert S. Gérard, falls into four wide-ranging sections: an overview of early contacts and colonial developments Under Western Eyes ; chapters on Black Consciousness manifest in the debates over Panafricanism and Negritude; a group of essays on mental decolonization expressed in Black Power texts at the time of independence struggles; and finally Comparative Vistas, sketching directions that future comparative study might explore. An introductory essay stresses the millennia of writing in Africa, side by side with a richly eloquent and artistic set of vernacular oral traditions; written and oral traditions have become interwoven in adaptations of imported forms and linguistic innovations that challenge traditional high literary norms. Gérard uses the mathematical concept of fuzzy sets to explain why the focus on Black Africa has led him to set aside for future analysis the literatures produced in North Africa, which fall under the influence of Muslim civilization, as well as the diasporic literatures of the New World. Over sixty scholars from twenty-two countries contribute specialized studies of creative writing by leading authors in the nineteenth and twentieth centuries such as Achebe, Mphahlele, Ngugi, Senghor, Soyinka, and Tutuola. Critical analyses are organized primarily around regions, reflecting different colonial languages imposed through schools and other social institutions. Some authors trace the adaptation of western genres, others identify syncretism with folktales or myths. The volumes are attentive to the heterogeneity of national literatures addressed to polyethnic and multilingual populations, and they note the instrumental politics of language in newly independent states. A closing chapter, Tasks Ahead, identifies areas for future scholars to explore. |
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Page 138
... cultural centres was constituted, with its journal, Traits d'Union edited by Ponty alumnus Lompolo Koné. Traits d'Union devoted considerable attention to theatrical experiments and printed a substantial number of plays from the various ...
... cultural centres was constituted, with its journal, Traits d'Union edited by Ponty alumnus Lompolo Koné. Traits d'Union devoted considerable attention to theatrical experiments and printed a substantial number of plays from the various ...
Page 142
... cultural imperialism of Europe“)? Imperialism itself, however had its contradictory aspects: French attempts at seizing control were supported by the Catholic missionaries; Protestant missionaries of various nationalities acted in ...
... cultural imperialism of Europe“)? Imperialism itself, however had its contradictory aspects: French attempts at seizing control were supported by the Catholic missionaries; Protestant missionaries of various nationalities acted in ...
Page 161
... cultural activities of the “Union Africaine des Arts et des Lettres” (U.A.A.L.). As the war was coming to an end, the colonial administration was faced with a peculiar situation characterized by the growing shortage df younger men among ...
... cultural activities of the “Union Africaine des Arts et des Lettres” (U.A.A.L.). As the war was coming to an end, the colonial administration was faced with a peculiar situation characterized by the growing shortage df younger men among ...
Page 163
... cultural centres described above; they were almost of necessity recruited from the ranks of those who had studied for the priesthood. The most important and representative were Alexis Kagame, Antoine-Roger Bolamba, Paul Lomami-Tshibamba ...
... cultural centres described above; they were almost of necessity recruited from the ranks of those who had studied for the priesthood. The most important and representative were Alexis Kagame, Antoine-Roger Bolamba, Paul Lomami-Tshibamba ...
Page 181
... cultural values, but the effect of this on his verse was often merely decorative. Pringle identified cultural dilemmas within South Africa which his. 2' See Morton Cohen, Rider Haggard: His Life and Work (London: Hutchinson, 1960). 2 ...
... cultural values, but the effect of this on his verse was often merely decorative. Pringle identified cultural dilemmas within South Africa which his. 2' See Morton Cohen, Rider Haggard: His Life and Work (London: Hutchinson, 1960). 2 ...
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