European-language Writing in Sub-Saharan AfricaThe first major comparative study of African writing in western languages, European-language Writing in Sub-Saharan Africa, edited by Albert S. Gérard, falls into four wide-ranging sections: an overview of early contacts and colonial developments Under Western Eyes ; chapters on Black Consciousness manifest in the debates over Panafricanism and Negritude; a group of essays on mental decolonization expressed in Black Power texts at the time of independence struggles; and finally Comparative Vistas, sketching directions that future comparative study might explore. An introductory essay stresses the millennia of writing in Africa, side by side with a richly eloquent and artistic set of vernacular oral traditions; written and oral traditions have become interwoven in adaptations of imported forms and linguistic innovations that challenge traditional high literary norms. Gérard uses the mathematical concept of fuzzy sets to explain why the focus on Black Africa has led him to set aside for future analysis the literatures produced in North Africa, which fall under the influence of Muslim civilization, as well as the diasporic literatures of the New World. Over sixty scholars from twenty-two countries contribute specialized studies of creative writing by leading authors in the nineteenth and twentieth centuries such as Achebe, Mphahlele, Ngugi, Senghor, Soyinka, and Tutuola. Critical analyses are organized primarily around regions, reflecting different colonial languages imposed through schools and other social institutions. Some authors trace the adaptation of western genres, others identify syncretism with folktales or myths. The volumes are attentive to the heterogeneity of national literatures addressed to polyethnic and multilingual populations, and they note the instrumental politics of language in newly independent states. A closing chapter, Tasks Ahead, identifies areas for future scholars to explore. |
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Page 58
... An Address to the Negroes in the State of New— York (1787) and An Evening's Improvement (n.d.); and A Narrative of the Proceedings of the Black People during the Late Awful Calamity by A. J. and R. A. [Absalom Jones and Richard ...
... An Address to the Negroes in the State of New— York (1787) and An Evening's Improvement (n.d.); and A Narrative of the Proceedings of the Black People during the Late Awful Calamity by A. J. and R. A. [Absalom Jones and Richard ...
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But two years after his death there appeared a two-volume work entitled Letters of the Late Ignatius Sancho, an African, To which are Prefixed Memoirs of his Life, which, to all appearances, gives the impression that, like Phillis ...
But two years after his death there appeared a two-volume work entitled Letters of the Late Ignatius Sancho, an African, To which are Prefixed Memoirs of his Life, which, to all appearances, gives the impression that, like Phillis ...
Page 70
Absalom Jones and Richard Allen's Narrative of the Proceedings of the Black People ' during the Late Awful Calamity in Philadelphia in the Year 1793 expresses its further and more important purpose in a sub-title, A Refutation of Some ...
Absalom Jones and Richard Allen's Narrative of the Proceedings of the Black People ' during the Late Awful Calamity in Philadelphia in the Year 1793 expresses its further and more important purpose in a sub-title, A Refutation of Some ...
Page 105
It, too, was supposed to reach print in the late seventies, under the title After Long Silence. Until recent times, English-language theatre has not been represented on the Liberian literary scene. As late as 1970, Doris Banks Henries ...
It, too, was supposed to reach print in the late seventies, under the title After Long Silence. Until recent times, English-language theatre has not been represented on the Liberian literary scene. As late as 1970, Doris Banks Henries ...
Page 106
As late as 1970, Doris Banks Henries asserted: “Unfortunately, no dramas of a high standard have yet been added to Liberian literature.”63 That situation is being altered by a versatile, talented young actor-playwright named Kona Khasu ...
As late as 1970, Doris Banks Henries asserted: “Unfortunately, no dramas of a high standard have yet been added to Liberian literature.”63 That situation is being altered by a versatile, talented young actor-playwright named Kona Khasu ...
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